There are two now posted on Drivethru.rpg. Ringing endorsements for the product all-in-all. Which is great because I don’t do this for the money. It is out there as a living thing.
Review link: https://www.drivethrurpg.com/m/product/437116
There are two now posted on Drivethru.rpg. Ringing endorsements for the product all-in-all. Which is great because I don’t do this for the money. It is out there as a living thing.
Review link: https://www.drivethrurpg.com/m/product/437116
Here is a link to the new 3rd edition of USR. This is the second of my publications to utilize AI-generated art. What I like about AI-generated art is it allows me to move forward with full-color publications without costing me my monthly mortgage.
I would love to pay real people to make real things for my books but my stuff has limited appeal and limited revenue potential so throwing serious cash at artwork is not feasible for the VTP. Not that I haven't done it. I truly enjoy satisfaction from paying other DIY'ers cash money for their contributions to my game books. Feeling connected to a greater hobby world through cash transactions is intention made manifest. But I still want to get books out and I want them to look as good as I can with the time available to me.
So please download for FREE my finished PDF copy of Western USR. This is the same copy which will be available on Drivethrurpg.com, so yeah, a back door to free product. But please try and play it. Please shoot someone in the face utilizing the RAW, and tell me how it plays. Better yet, write a full on review of actual gameplay and I will send you a free softcover copy of the book with the actual full-color cover!
Yes, I have created my first full color publication. Shrine of the Keepers is now available as its own stand alone adventure module. I took the plunge and played around with AI to generate the full color illustrations for the adventure module. Here are some photos of the final product.
It is 33 pages and by this time the adventure has been vetted for all typos, it is a clean manuscript. Hey, it is even complete with a 5e conversion guide so you can play the adventure with the world's most popular roleplaying game.
Night Owl Workshop has just released the PDF version of Treasure Island Adventure for your old-school roleplaying game. Ostensibly written for their game Freebooters!, the adventure is compatible with all the usual suspects.
This is my first "professional" writing gig and I acquired the contract from Thomas Denmark because I responded to his open call for a writer for this project. That's how it rolls in the ttrpg industry. Just force yourself in the room and say you want at it! I'm glad he took a chance on an unknown person because the subject matter is one I hold a great fondness for. I have read Treasure Island numerous times since a kid, so the material I was to write about was very familiar. I have also held up the novel as a master class in pace. The story moves with such a heart-pounding pace I find it a true marvel of excellent adventure writing. I chuckled the first time I learned Robert Louis Stevenson was fond of cocaine. I wonder how much this influenced the "pace" of his writing?
Any-who, I think I nailed it. If you are looking for an old-school adventure on the Spanish Main you may not do better than this obscure output from the Vanishing Tower Press!
Full disclosure; I tried to complete a second writing assignment for Night Owl and failed miserably. So, first important freelance writing tip I can offer is don't take an assignment that you can't immediately see a "great" idea forming up worthy of a published adventure. I tried to force myself just to "produce" and I don't have it in me. I need to write on something I am passionate about achieving, or I won't get very far. Fortunately, the public is only going to see this output, buy a great adventure book, and when compared to my other adventure and gaming products find I can consistently put out fun, and useable stuff.
And not all I wrote for Night Owl Workshop made it into this book. I wrote up two cool-ass adventures based on my Renaissance campaign I ran in the Clockwork & Chivalry setting from Cakebread & Walton. The cartography needed for these two adventures was holding up release of the book so it will be released as a separate adventure package. I'm okay with that. It actually creates two more products I can list to the accomplishments of the Vanishing Tower Press.
Surprisingly, to me, given the sheer amount of threads started by folks on this topic, I never see much reference to the source material of the genre being suggested as something essential. I mean being steeped in the genre being run. Not just a cursory read of a few books or watching a couple of movies. I mean a deep dive as if one were taking a course study in college.
To be an effective, to be a "good", "great" Dungeon Master, Game Master, Keeper, Star Master and what not, you need to be extremely versed in the genre being run. If you are planning on running a supers game you should be reading comic books all the time. If you have never read comic books much you should go back in time and work your way back up to the present. The grand sweep of the comic tradition should be a topic you can nimbly navigate, process and use at the table. Many folks today seem to be asking how to run a cyberpunk game. Much product is being suggested as the platform of use, but rarely is their an insistence on the asking individual to read a fuck-ton of cyberpunk novels. I would even go so far as recommending extensive reading of the latest technology publications available to the laymen drafting out the latest developments in technology. Climate crisis, political efforts of social constructs, and corporate bloat, basically a master of current events with a bedrock knowledge of cyberpunk literature since William Gibson jump-started the genre. The catalogue of horror literature is incredibly vast. How many Keepers are knowledgeable of Mary Shelly's masterpiece, all of Lovecraft's work into your King and Barker? The horror Game Master also has the task of diving into the incredibly vast library of horror films.
Why? Why would one need to become a scholar of a particular genre to be a good Game Master? It is the underpinning, scaffold, colossal structure supporting every decision the game's referee will make at the table. Creating your mind into a rolodex of genre tropes transcends mechanics and system
The benefits of being a studied master of the genre blow all other considerations being debated on the subject away. Random encounter tables write themselves, adventure ideas come unbidden, thorny knots of character interaction become organic growth under good sun and good soil.
The game has been chugging along for a solid two years now with no signs of slowing down! The current roster of superheroes inhabiting Capitol City are Mettle, a master of magnetic control, Olympian, Kordarian of tremendous strength, Mr. Zozo, a demon inhabiting a human host, and Perperbog, an Inuit Shaman of mystic might.
Even Heroes Bleed Issue #37, part two
I was much pleased to get many enthusiastic answers and
interest to the game session. After I sorted out the time slot, I ended up with
4 rogues. A goodly number, for the pulpy nature of classic sword and sorcery
does not lend itself to large parties of dungeon delvers. The roll call
consisted of Hackon Rinson-Hunter, Nosarat-Hunter, Patty-Warrior, and Votwin-Sailor.
The adventure was to begin in Zul-Bazzir in the world of Xoth and two of the
players rolled for nation of origin. This came up as Khora, the Island of Sea
Reavers, and Khazastan, the might empire across the great desert east of
Zul-Bazzir. The other two I just declared they were locals of Khazastani and Jairan
heritage. Character creation was done at the “table” for USR Sword &
Sorcery is a rules-lite system and creating a character is dead simple. Gear,
on the other hand is a pricey proposition. Armor and fine weapons are well out
of reach for a starting character in the world of Xoth. The wealth disparity
between the rich and powerful and everyone else is vast. This meant, outside of
some favored weapons I granted the Warrior and Sailor, the group possessed no
armor. I take that back, Hackon was able to purchase a shield to complement his
sling and club.
The set up for Shrine of the Keepers is one of simple robbery. It is late night, and the group is finishing up hours of carousing and look to settle their tab. Unfortunately, whatever silver they had left on their person was gone. I slinking thief twirling their coin pouches good be seen slipping through the rowdy crowd and exiting the wine bar. A swift pursuit began as the players leapt after the thief, all the while the wine tender hollering for his payment. They chased the fleet-footed scoundrel through the warren of alleyways in the slums of Zul-Bazzir. They lost sight of the thief and as they wondered which way to continue the chase when a blood-curdling scream pierced the night now far away. Descending on the scene they were just in time to hear the death rattle of the thieving dog. His body was slashed and ravaged. Their coin purse gone. The crafty hunters searched the ground for tracks. The night was full of light from the twin moons of Xoth, and they could pick the tread of sandaled feet leading down an alley which ended in a walled courtyard. The single large door for the gate left slightly ajar.
A passing city guard, drawn to the scene by the dying scream
of the thief, quickly assessed the situation and cautioned the party to let go
their loss. The open gate led to the temple of the Seekers. These
demon-worshipping cultists were not to be trifled with. The Seekers keep what
they take and only fools and madmen would risk causing their wrath. They predictably
ignored the watchman’s sober advice (and it is a one-shot gaming session), and
cautiously approached the open gate.
The courtyard beyond was illuminated by the moonlight and
the hunters again could see the tread of sandaled crossing the dusty ground to
the entrance of the Shrine of the Keepers. A wide stone building unadorned.
Black smoke issued forth from somewhere out of the roof. In the middle of the
temple’s simple facade a wide set of steps led into the building fronted by
three wide pillars evenly spaced across the entranceway. They slinked up the steps
into a wide unlit chamber. The slanting rays of the twin moons revealed large
bronze doors directly across from the staired entry. Open archways gaped to the
left and right, one had the flickering of torchlight coming from it. The other,
darkness. All was quiet and no further tracks could be discerned indicating
which way the group of cultists had travelled.
While they debated which course of action they should take,
their brief exploration of the entrance chamber revealed a door to the left of
the mammoth pair of bronze portals, discreetly hidden behind a tapestry writ
large with obscene images and runes of dreaded black speech. The group globed
onto this hidden door and desired to pass through it. It was locked, but the
sailor worked one of his arrows (he carried a bow) and rolled well enough on his
non-contested attribute roll (NCAR) to spring the latch.
Their exploration of the hallway beyond found them abruptly
entering a bald priest’s quarters, the owner present. They had interrupted the robed
priest in the middle of scratching his meaningless ramblings upon parchment. He
quickly leapt from his chair and brandished a dagger gauging the danger in which
had come upon him. Hackon boldly charged with raised club. The priest,
considering his odds poor, ran to another door close by, opened it looking to
escape. Votwin had his bow at the ready and made a called shot against the
priest’s legs. His shot was a success, the damage great, and the priest fell to
the floor incapacitated. The rest of the party followed, and before Hackon
could fast-talk information from the wounded man, was stabbed repeatedly
through the chest and killed.
The group made a thorough search of the main level of the
temple, encountering four priests loitering in a room of tall shelves stacked
with scrolls (they were dispatched in close hand to hand fighting), a sunken
chamber filled with granite sarcophagi, a room heated to a blast furnace by a
coal-fueled fireplace burning a pile of human bones, and a room with a large,
lurid stone idol adorned with candles holding a bronze platter with a decent
pile of gold and silver coins upon it. Besides doorways leading out of this room
a narrow set of stone stairs descended to a lower level.
