Now Let Me Refute the Silly (Follow Up On Boring Combat)

This is a follow up for my reddit post. After the 5e game I drove up to Blackhawk and hit the craps table just after midnight and as usual mulled over dice, probability and whether odds matter when it is your turn to roll the dice "to hit". Players would take odds on 6 and 8 and stack hundreds and hundreds of dollars down. Always dollar yo flinging onto the horn as the dealers listen to the traditional code words; adding pressure, take it down, the stick man in the middle moving their hands over that active middle section with the worst odds in the house and the gentleman to my left went on a tear, holding the dice till most people had tripled their money. I quietly played the Don't Pass and nodded as certain numbers, even very low odds numbers, come up again and again. Dice are what I like to refer to as a "closed system". No matter how low the odds on a 2 or a 3, in five hours you will see it hit again and again, sometimes in a row.

While the numbers "roll" on by, the only action which matters is your action. Your stake, how much it is, and if you lose are you "dead" or merely bleeding out some hit points and hoping to hang on for the tide to turn. The rules of craps never change, and unlike poker, there is nothing to "bluff". Just the tension of waiting for the dice to land your way. The chips, in their bright colors, lose a sense of cash and become weapons and resources to deploy, cast either wildly or prudently in a systematic approach. That never changes. What changes are the people coming to the table all with their different dress, attitudes, and states of inebriation. Stories get tossed casually like the dice bouncing across the felt. Tensions rise and fall with the weight of fate and the stick man tapping the table in front of a lucky winner announcing the large payouts to players down at the right time on the right number. 

The rules are simple, but every throw creates another quick story spelled out in shouts and groans with each pass. The game only has character or story for you in just the brief time around the table. While players might have a strategy, the play is really trying to be present when the dice are falling “your way”. In a closed system the same numbers come up again and again, albeit randomly. A seven is the most likely number to come up on any toss of two dice, but when the player shoots the come out, all are possible. Odds be damned. If the hard 4 hits it doesn’t matter right then and there a miraculous 1-36 chance paid off, or in my case wipes out my even-money bet I shepherded into position to get better “odds”. 

Then there is poker. There are the iron-bound rules of play. What beats what, and it never changes. Curiously, nowhere in the rules of poker are rules on bluffing. That you would be wise to do it, or that it isn’t legal, or that a “good” poker player knows how to call one. It is an organic method naturally occurring as players work the only part of the game totally in their control, that of getting the other players to think you got them all beat with your three of a kind. 

Is roleplaying games more like a game of craps where you figure the odds, where you count your modifiers and look to make the most advantageous play in the moment, or is it more like a game of poker where everyone is trying to get everyone else to buy into their bullshit? I think of ttrpg’s as a game of poker with some players trying to work it like a game of craps. To get a good hand and let that drive the hand and thereby guaranteeing a win. And you see it time and time again. Someone with the best hand lays it down and lets the other person rake in the pot. All because the winning player superseded the rules and got “buy-in” from the table. Not that they had the best hand, the highest roll, the right addition of modifiers.

5:30 rolls around and dawn is breaking over the mountains. My modest don’t pass method has seen my $200 grow into $360, back down to $100 and finally I walk away with $217. 

I play in a scheduled online game of Gamma World 1e, and it starts in two hours. I find an empty poker room and sit at the deserted bar with free coffee and fire up the laptop. I spill my colored die on the granite top and review my character sheet. I’m playing a Pure Strain Human, a character “class” in the game which comes with a sever handicap, no mutations. The other players, indeed, all the other players, are Humanoids of various stripes and the usual grab-bag of strange powers common in an OSR game like Gamma World. I chose this character type like I choose a game to run. There is a goal, and the goal is usually to investigate for myself how “broken” old-school games are claimed to be. The biggest being combat is boring, slow, characters are broke with little to no mechanics incentivizing play. So, I play the bare-ass, under-powered person with zero bells and whistle. I did roll decent stats. CHA 17, MS 15, three 13’s and a 14, but Gamma World 1e is really stingy on ability modifiers. I may only have a +2? on reaction rolls due to a 17 CHA. But in this discussion even this fact isn’t all that important. What is important, what strikes me as important is the group play. The Gamma Master runs it RAW except he uses ability checks for actions not covered in the simple rules and bolted on his own vehicle combat rules because, well, Road Warrior and shit. In Gamma World there are many different types of vehicles you will come across. I’ve personally destroyed a tank retrofitted for running on train tracks, a minivan, motorcycle, Toyota Tacoma and our current stolen RV with top mounted .50 cal, crazy sound system, armored plating, etc. Started with 100 HPs but is currently on the side of the road hanging on with 5 because, you know, Chaos Nazis. 

When my PSH ended up in the “Kill-Box” at Railtown the Gamma Master plopped down a mini-tactical gladiator game which had random tables, random pits of flaming oil and a brief rundown of the rules. I didn’t know what the optimum play was. I didn’t know much about the ground I would fight on, and I didn’t know where I was going to get a weapon when my humanoid opponent appeared before the blood-lusting crowd with a big hammer caked in the gore of previous opponents. I did know I liked this character, that if I could get through this, we stood a good chance of getting a job from the boss of Railtown, but the most important thing I had on my mind was my fellow players were in the stands looking on. At least I wouldn’t die alone. Not so much that I was going to lose, and the rest of the party safely looks on making wagers. No, I was sure when I was beaten bloody and down to my last few HPs they would jump to my aid and Railtown would have all our heads. And that is exactly what happened, except us getting killed. No, we got into the underground faction and were able to cut a deal. 

And today’s session, after too many combats against unique adversaries then we have any right to survive, we looked to complete the job, returning the brother of the underground leader, alive. It was his ride we had just butchered blasting through the mobile pack of goons. The GM runs a harsh, radioactive hell-scape and it has taken just as much fast talking as combat to get us this close to success. In this instance we received aid from a motorcycle riding NPC with a place to lie low for the night and make repairs, what we could, on the RV while gigantic shit-cows snuffed through sparse grass on the cracked pavement of a once large city. With Railtown only an hour away we put the hammer down, all 35 mph of our hammer. I turned the wheel over to another PC and hung in the rear of the RV looking out of the missing back end nervously fingering my vortex gun. Parrot oiled his AR-15 while Hughie tried to puzzle out the different colored grenades we had gathered in our journeys. There was nothing for it but the random encounter roll. 1 in 6, what are the chances? The 1 in 6 chance materialized as a two-headed dog the size of a rhino, but bigger. 

We were looking okay on HPs, but the RV, it has a ripped open back and the .50 cal was on the side of the road at mile marker eat shit and die. Micro-missiles spent, the only thing we had going for us was the creature was too big for both its heads to fit inside the RV at once and maybe one of the grenades was high explosive? Just to cut to the chase, the mutant Cerberus had a little over 100 HPs. What I think naysayers of old-school combat call HP “bloat”. I had 22 and the rest of the crew was hanging in the same ballpark. In Gamma World 1e creatures do a shit-ton of damage and we could dish out maybe 8d6, 12d6 if we all hit at the same time. Okay, lets get to the point of this boring combat, a combat procedure just like B/X, the most broken and boring part of any old-school game since OD&D. Not knowing what the bag o grenades held we decided to hurl the whole bag out the back at the rapidly approaching beast. Parrot emptied the clip and the bag which fell at the creatures feet, blew, and we racked up 54 points of damage. The creature lunged one head into the van and I got to feel 12 points of damage from my Vortex gun. My full HP load is 67 but it never lasts long. There are sharp encounters which would cost me 2d6, 2d8 damage rolls, harsh radiation which makes a PSH melt like wax in the hot sun. The vortex cannon is a 4d6 short range weapon and Parrot had one more clip. It was hard to keep track of all the action. And in the background the GM adjudicated the homemade vehicle combat rules. There isn’t shit for modifiers. There is an initiative and to-hit roll and a homemade rule on making ability checks like saving throws. But there was much dialogue. We were all galvanized in the rear of the bus with nine months of bi-weekly play about to go up in flames. We used every trick in the book to get this far, including selling the GM on our bullshit. Unlike poker there really isn’t anything to bluff and we always have a losing hand. What we have is our minds, physical presence, witty banter, crazy ideas and it comes to a sales job on the GM. Enthusiasm, buy-in and, more misses than hits. But the degree of success matters. The rules of Gamma World are just as binary as D&D. But there is nothing barring us from using the one thing we have, what we do as we spoke out of our mouths. The GM is not some totalizer counting modifiers, sure we have useful mutations, but like magic spells they run out or can cause harm to the user.  

We have a free-flowing dialogue which puts the GM in the position of having to adjudicate results with no rules to tell him how. He uses ability checks, from 1x thru 5x your attribute or less on a D100. How hard or how easy a chance to succeed is the GMs call. What is absent is a dialogue of mechanic as ability, as character. If the player is scared, the character is scared. If the player is panicking the character is panicking, if the player is excited, the character is excited. Sure, we all have to tell the GM what we do. Most of the time the GM reacts in a manner appropriate for the genre and the NPC before us. We are a group of strangers at the table keeping each other amused, telling stories, putting our money down and crossing our fingers when dice need to be rolled. A 20 is just as likely as a 1, a 5 on d100 is just as likely as a 99. No matter how much we like our chances it can come up snake eyes and the bet is lost. We only have the comfort of our camaraderie and the ideas it sparks due to the interesting environment around us. I’ve had enough sessions with these folks (two are from Germany out of 5-6 players, so English isn’t even their first language) that my successes and failures are shared with these mutants, as I them. It is great when you roll the natural 1 or the natural 20. Unlike hitting a hard six where only the person winning can feel any joy (the feeling of group exuberance and shared conflict are pretty artificial at the craps table), I depend on my fellow players actions to carry me along as much as they are relying on me to do the same. Not because of the power a character brings to the table because of their “build” or their +6 Investigation, but by the power of our ideas and imaginations. Either way the dice come up we are experiencing a new story and a new expression of each other’s intelligence and effort. We don’t try to be interesting by quickly calculating modifiers and pumping Aspects. We talk about what and how we are going to do things, do them, and realize the result fast. I have shit to calculate, I’m a to hit roll and a saving throw when the GM decides why. Doesn’t matter if I have a fuck ton of plusses in my favor, a 1 is as likely as a 20 in that moment. I only have what has led me to that decision point like the one before that and the one before that. It is a feature not a bug the game leaves so much out because old school play is about the experience you have, not technical mastery of game mechanics. 

That is why when Hughie was chomped in the maw of the still slavering and still very much alive rhino hell hound to be dragged away and devoured, I said he wasn’t going alone. The GM wasn’t sure what I meant at first, I had just rolled my to hit roll for the vortex cannon (it was a miss, not even close). 

“He’s not going alone, either I grab him and pull him back or I’m going with him.”

“Okay, give me a 3x Strength check.” 

 I make it, just barely so both me and the monster have a hold of Hughi. We are in this incredible free-fall trying to influence what happens next. I sure as shit don’t know. I’m resigned that next turn I’m going out the back with Hughie to our “good” death. I’m so intent on saving my companion, so excited to have the chance to try and save my companion I can’t think of anything else. But the driver does. The driver isn’t engaged per say, they are busy keeping the RV on the road. And they have room to try and do something interesting. Quite simple really. There was no roll except for damage. She jams on the brakes. With one head in and one head out the maddened beast (it passed two moral checks so it was in it to win it) was cut deep by the jagged aluminum can we called our ride while Hughie and I slid hard to the front. The damage roll was good this time. Parrot had the sense to empty the remaining rounds of the AR into the head of the impaled creature. The RV rolled to a stop. 

What is the point of all this rambling? Why not? I’m going to use the reddit thread to pile all my crazy nonsense on why B/X combat is only as boring or interesting as I am. And peruse the insistence to the contrary which flies in the face of my experience. When I was 14 my D&D game would have bored the older me to tears. I was just as frustrated as anyone else as a kid waited my turn until I announced my armor class or my to hit roll or my damage roll or whether I was out of HPs. I wasn’t a very interesting player because I guess I didn’t know what that looked like. Hence my wide experience with numerous ttrpg’s from back in the day. I thought I found it in Chaosiums Stormbringer, but I always wondered why there was a roll to hit and the defender had a chance to parry. Wouldn’t it make more sense to make this into one roll somehow. Because the back and forth with multiple rolls built on game mechanics and skill potential would eventually even out. Just like my 4 hours at the craps table. I have more options than one can calculate at the table with any one bet. But in the end the dice are a closed system which can only give you limited results, quantified, and managed per the manual.

I was dead certain as a kid, as now when I got back into gaming there must be something I’m walking right past. I believed what the writers told me about how amazing a campaign, a series of adventures in a game world would be. I mean, when you read the introduction of any game out there you know the author is talking about is really cool and they did it.

I may be mistaken, but the climactic moment of the fight with Cerebos did not adhere to strict combat turn sequence but I highly approve of the choices the GM made allowing the PCs to take heroic actions which saved lives and killed the beast.

The action I took to either save Hughie or suffer the same fate is him overrode my desire to see my PC survive to fight another day. This "everyone or no one" stance was born out of our group play making, taking risks like this, raises the level of excitement and achieves a level of immersion much higher than most games where the GM takes refuge in the turn sequence and game mechanics to avoid dealing with unpredictable "what if" events and stepping up imaginatively. If that makes any sense.

System does matter, any one game system doesn't work for every genre. Universal systems must be customized (and usually are) to accommodate genre tropes. Smart, clever people get this. The argument the game is what the rules say it is is so much rubbish.

Having new games come out at a steady clip. It is nice to have choices on what game system to play with. The dirty little secret of this though is, creating a ttrpg is easy. Easy in the sense that once the initial paradigm was fallen upon by a small group of people it was easily duplicated by average people because the idea of a roleplaying game is simple. What is not simple is developing technique, evaluating its value and looking for what can be done better at a personal level.

Basically, don't play with people who cannot take criticism and have no interest in pursuing a never-ending demand the game places on you to transcend the rules, to be better.

There is nothing to it. Ttrpgs are not board games, they are elastic expressions of experimental play. All the different games I've played in over the last nine years have only supported my attitude that there isn't really bad or broken games, or that one ttrpg is better than others. There is only good choices and bad choices made by participants. That personal and group roleplay can be evaluated qualitatively and critiqued for improved results, expression, and experience. You don’t need to keep playing the same system. Using the same system for everything is stupid, especially with the amount of choices a gamer has today. But the decision of whether a game is good or not for "the game" can only be made after the user ruthlessly analyses and assess whether they play good or not. Hence my statement  “If the game or combat is boring it is the fault of the players, not that of the game system.

Let Us Talk About Combat

It is a routine thread on gaming boards. Combat in (insert any game under the sun here) is boring, slow, too long, etc. The one I bemoan is Champions so I get it. But not when it comes to the pile-on heap of shade thrown at B/X and OD&D. You know, the OSR, that OSR.

If your combat in OSR games is boring you to tears it is because you are boring. Do something interesting! We are all going to have our “sweet spot” for the amount of rules we like to have in combat. For me, these days, it is DC Heroes for my homebrew supers campaign. I want a quick resolution mechanic for combat which doesn’t have a ton of modifiers to calculate. And B/X D&D sure doesn’t have many modifiers.

Sometimes I wonder, why have a list of combat modifiers in the rules at all? Why can’t your number just be the number? Why delay orgasm? Without a long list of modifiers, it gives GM’s an PCs an opportunity to decide on a modifier quickly and roll for resolution. The only thing in the way of such loose application of combat modifiers is us. I can see the worry-beads knotting through tangled fingers as I say this. But, but what about blah, blah, blah. Beads furiously fondled. Even I can’t get that level of acceptance from my players, and I think I’ve done a very good job at earning trust with any group I’ve run since getting back into gaming.

If you describe your combat action by announcing your “to hit” result followed by a damage total and nothing else you are going to have a boring combat because, well, you are being boring. There is nothing stopping you from declaring “I run at the orc with sword tightly gripped in my blood-soaked hand, screaming my death chant, and at the last minute before our blades meet I’m going to make like I’m sliding into second base and cleave his feet from his legs” then now things have gotten interesting. Now the to-hit roll and damage total are indicators of success on the just described action. And detail breeds detail. This means a GM must describe the combat zone in enough detail to make it sticky, to give PCs something to play off.

The group initiative roll helps in this case. When it is the PCs initiative, they can act in coordination with each other, off each other or whatever. This is where an interesting combat environment helps. The more details one has the more creative things one can devise. Roleplay this shit! The PCs should be shouting at each other, encouraging each other in their own special way. All the things you see in any action movie is up for grabs. Swinging from chandeliers, desperately trying to refuse the flank, calling for more ammo, striking the match to the fuse and running away screaming “It’s going to blow!” while the orcs look at you puzzled.

Instead of saying you stab with your spear why not say I am going to skewer the monster’s sword arm to the tree with a savage, two-handed thrust? If you hit and do damage the GM now has something to describe; the scream of the beast as it struggles to pull the weapon free, blood flows like sap down the bark. Come on people, get invested in your game, your struggle, your PCs life!

 

A combat is only going to be as interesting as you are. Combat rules can either be a barrier or an aid in this regard. That is probably the hardest part of this whole exercise. Finding the level of combat “crunch” the game group is most satisfied with. Fortunately, we live in an age of abundance and there surely is a system for whatever genre you are playing which will accomplish this. For me it has been found in many early rpg games. DC Heroes for supers, BRP for black powder and the age of sail and modern man-on-the-street settings, USR Sword & Sorcery when I want to get my Conan on Classic Traveller for my sci-fi itch (though I have tamed FGU’s SO and wish to play it). Each gives me just enough rules or built-in flexibility to drop rules while being exceedingly suitable for the particular genre. If there is one common thread through these systems is they allow me and my players, maybe require it, the freedom to narrate action, success and failure in highly descriptive and fast moving ways.

Steve Taught Me Much of Game Design

News of Steve Perrin’s passing reached the “Press” just now and yeah, I love the game system he pioneered. It clearly built on the success of early Dungeons & Dragons and dropped a D100 skill system on it for action and combat resolution. It seems the dynamics of D&D combat with a passive defense and an armor rating deciding how easily one was hit was dissatisfying to the young Perrin. It was not an unusual criticism. You could say Perrin’s Runequest was just a tightly house-ruled version of the world’s most popular roleplaying game, and you would have a very defensible position.

But the design was more sophisticated than simple house ruling an existing game. Runequest included contested actions where opponents rolled against each other using an appropriate skill and “best” roll wins. This alone added tension and excitement at the table with almost any encounter. But the skill system brought fantasy gaming out of the class and level paradigm and championed the ability to customize your fantasy hero to one’s own liking. Add in the fact armor absorbs damage instead of making one harder to hit and Perrin and Co. had instant converts clamoring for their game.

I was first introduced to Chaosium games when a high school friend showed me his new Stormbringer boxed set. I had devoured Moorcock’s fiction at this time in my gaming life, so was immediately intrigued. Scott (his real name) was someone who loved being a player and not so much a Game Master. I was the opposite in our gaming scene, so Scott would dump new purchases on me because he knew I would devour the game and commence to set up a game session. He never got this game back though. I loved the system and bought in to how it could be used for any game setting you had a mind to play. It in no way broke down with modifications I or anyone else would make to better fit our game’s genre conceit and begged a gamer like myself to look at magic in a different way than Gygax had stamped on the industry.

I never played a session of Runequest, or set foot in Glorantha, but I had walked the streets of Miskatonic U, driven my unmarked police cruiser through the streets of modern LA, pulled off clandestine operations for the Congress of Truth, and fingered black-powder weapons on the Spanish Main. I had seen several competent and well-loved characters go down under a fickle, gruesome critical hit and had put bullets through many an adversary with great satisfaction. For a while I would convert every different game, I had on my shelf into Chaosium’s basic D100 mechanics and bell-curved stat blocks.

Eventually I would come to preferer Willis and Watts take on Stormbringer, the Elric! version released in 1993, but by then I had been exposed to the entirety of Chaosium’s range of games and understood the company’s importance in the TTRPG business. And they had my respect.

I was more of a Ken St. Andre guy than Steve Perrin. I loved his original take on character creation in the Young Kingdoms, but it was Perrin I met at Gencon 2017. He gave me a quick, spirited debate what real roleplaying was before he pulled himself away as I was viciously drunk, but he smiled, I smiled, and we parted with neither being terribly embarrassed.

This game pioneer, like many of the rest, have died early because of poor health. The Standard American Diet and the relatively non-athletic attributes of the hobby have connived to take early game creators from us way before they were done creating. I hope this next generation of players and creators tackle healthy eating and exercise with more enthusiasm than past. There is so much more to be uncovered in this amazing art form and time at it does make a difference. At least in having an informed opinion on the nature and purpose of the sport. The next book is generally better than the last. The more adventures one writes the better they get. And that is all gamers really want. Your best stuff. Thanks Steve, for all the quality game product you gave me to study, play and develop from!

ICON does what DC Heroes Already did, or ICONS/DC Heroes Conversion Guide

I’ve found Icons, one of the latest ttrpg supers game released with some decent popularity, to be completely backwards compatible with the old-as-dirt-old-school supers game DC Heroes. Currently the only copy of this great Mayfair game from the 80’s easily had is the retro-clone from Polaris called The Blood of Heroes. BoH is a complete set of rules which incorporate all the powers and mechanics through DC 3 edition. I like that it is also divorced from the DC Universe, emphasizing the best utility of the game is as your game system used in your own super’s hero universe. 

Icons should be noted lends itself to creating your unique superhero setting. It does this with its character creation process. World building and super villains are created the same time everyone is making up their random character. But I’ve used the Icons random character creation method generate BoH/DC Hero characters. The two systems are so compatible it fits like peanut butter and jelly.

Interesting, the game Icons bills itself as rather FATE-adjacent, with its inclusion of Aspects and the use of FUDGE dice, but really, it is just a recasting of Mayfair’s ground-breaking Exponential Game System! It also shows these “innovations” FATE’s story-telling system touts as a new way of playing ttrpg’s with a more player-focused set of rules is not. Early superhero games like TSR’s Marvel and Mayfair’s DC Heroes had these player-facing rules and mechanics consciously built into the fabric of these games. I’m obviously referring to the supers’ genre conceit of heroic flaws, disadvantages, drawbacks, complications, etc.   Every superhero role playing game at the dawn of the hobby included these character-driven world building and character-building elements. Really, a new game of Champions, or Villains & Vigilantes always started players and referee bouncing ideas off each other and coming up with their various enemies and power-origins. The act of character creation in any superhero game is automatically player-gm world building collaboration.

The next reveal this thought experiment of mine gave me is the relationship between the superhero genre and story-game intent. The juice of a superhero game is the soap-opera level drama players get involved with due to their alter-ego and the consequence of ultimate power. I mean SOAP-OPERA, afternoon television over the top back from the dead silly storytelling. And then you get to have a monster fight which wrecks cities!

This isn’t for everyone and running a supers’ game is a good challenge for Game Masters just on that point alone. It is a refreshing take from general murder-hoboing and the black and white moralities of the fantasy gaming realm. Supers’ games, like most games set in a contemporary setting, are NPC-heavy. A city street is a city street. It is the people who make the place fascinating, dramatic and filled with tension. The ordinary has to be made extraordinary without descending into camp. And this is what story games are really about. Spinning tales of interpersonal conflict in a very soap-opera way.

But back to the conversion method. Really, it is so simple I just went on the above rant to fill out the post.

Here is how the ICONS attributes translate to MEGS attributes:

Prowess = Influence

Coordination = Dexterity

Strength = Strength

Intellect = Intelligence

Awareness = Aura and Mind

Willpower = Will and Spirit

Stamina/2 = Body

Stamina is a derived stat in Icons and is a simple addition of two other attributes. When attributes are added together in BoH’s it is an increase in one point, not a straight addition. This is because the system is exponential, each number is twice the value of the number before it. 3 is twice as much as 2.

Now it is just a matter of plugging the Icons values into the appropriate BoH’s attributes.

Powers work the same way. A Flight of 10 in Icons is a 10 in Flight in BOH. Specialties are Skills. Qualities and Aspects are Drawbacks, Limitations, Advantages, and Bonuses from old-school BoH. Even resolution is identical. Both compare an Acting to an Opposing value and establish a degree of success. The spread of results, from terrible to nothing to exceptional success, is the same to.

Vehicles work the same way. You can take Icon stats and use them directly with BoH/DC Heroes rules, no modification!

I don’t have much interest in playing Icons. Blood of Heroes gives me a denser supers experience and the level of “crunch” and dramatic roleplay and pace of combat all come together perfectly for me with these rules. I don’t really much care for ICONS adventure material. I find the stuff terribly derivative framing of superhero cliches. Buuut, if you love your game of ICONS you have the whole DC Catalogue of heroes and villains all in ICONS numbers. Any of these old-school adventures can be dropped into your Icons campaign world with no mechanical prep required. The official Icons setting of Stark City and its sourcebook can be used with any DC Heroes/MEGS campaign you may have. Any of the Icons third party adventures and books can be used with your MEGS.

So that is really all there is to it. DC Heroes and ICONS are completely compatible games! It seems Steve Kenson has successfully traveled from writing a supers game on an old D&D chassis to writing a supers game on and old DC Heroes chassis and calling it some kind of original or different take on FATE, FUDGE and story-games is off the mark. The “neat” things ICONS claims in bullet points on the back of their book are old achievements by various old school games made a long, long time ago.

Multiple GMs

My first opportunity to roleplay in my own campaign world happened. Even Heroes Bleed had an alternate Game Master, one of the other players, this past Sunday and I was able to run an NPC Hero I created. Sitting on the other side was an incredible treat to see how the city smelt from the perspective of one. 

First "fact" of interest was campaign date. This adventure is occurring a month in the future from the current game action. This means the facts we established during the session are now future facts, events which will occur. My next thought of intrigue was how easy it was to become part of the player group. Makes sense, I've grown to know these characters right along side their players. Same with my PCs roleplay. I created the character and they have fought on the streets of Capitol City already. 

It also triggered some cool ideas for the current adventure I am running back in "real" world Capitol City circa May 2020. The entirety of the campaign's length is 7 days. A half a year of game play and we have advanced through seven days of activity. And what a busy seven days it has been! There is a record of history on each character which has so far appeared in the game, including the other Player Characters. This made for a deeper connection between my Player Character and the others. Ultra Rosa (my PC Hero) has formed opinions on her co-workers already and has had a chance to respond in kind. 

Last but not least, I got to "not know" what I was going to do because I was not in charge of pace. I could increase pace of action by having my PC do increasingly extreme actions in the game world right then. But overall, if the Referee says it is tomorrow, well, it is tomorrow gosh darn it! This type of control over pace is not something the players get to dictate as much as the Referee does. 

I have two more sessions (more or less) before this adventure will conclude and I am back in charge of the who, what, where of Capitol City and I intend to use Ultra-Rosa's guns before then. Before I have to release her back to the game world I want to see her light some shit up!

Long and short of it, I am sold on mixing up the game master work with the other players at the table. I don't know if any of the other Players wish to referee a game session, but I hope so. I think it is fostering greater and greater investment in the game world by everyone at the table.

Quantum Weavers Class Requirements

Here is the Quantum Weaver Class more detailed as far as needed for character creation in my Setting Suns Space Opera Campaign;

Quantum Weaver (Tech); requires an Empathy score and GTA score of 15 or greater. They are technicians specialized in using and maintaining the technology created ages ago to allow interaction with the Taakar. They are required to take Combat Training to qualify for Fusion Gun and ARP Projectors skills. Quantum Weavers may take the Street Fighting & Brawling Skill, which is an additional cost, and must be paid for at full price even with Combat Training for Fusion Guns and ARP Projectors. 

Technician skills required to be purchased are as follows, Scientific Programming, Cybernetic Brains, Alien Computers, Anti-Matter Generation Systems and Beamed Power Transmission. 

They are frequently performing tasks in the alien and hostile environment surrounding the Taakar at the center of the Spica system, see to the operation of the complex ships of the Merchant Masters and are used as soldiers in any large-scale conflict the ruling class may face.

Quantum Weaver Class Requirements (Tech); requires an Empathy score and GTA score of 15 or greater. 

Skills required 

Computer Tech: Scientific Programming, Cybernetic Brains, and Alien Computers. 

Power Tech: Anti-Matter Generation Systems, and Beamed Power Transmission. 

Combat Training to qualify for Fusion Gun and ARP Projectors skills. 

FTL Pilot. 

Quantum Weavers may take the Street Fighting & Brawling Skill, which is an additional cost, and must be paid for at full price even though Combat Training for Fusion Guns and ARP Projectors has been purchased. 

Ranks of Command among Quantum Weavers is set by their level of FTL Pilot: 

FTL Pilot 3rd Class, Weaver of the Watch/1-6, 

FTL Pilot 2nd Class, Tachyon Weaver/7-9, and 

FTL Pilot 1st Class, Quantum Weaver/10 

Unless a Quantum Weaver is onboard a Crystal Ship, they are headquartered and trained on Spica. Primary duties planet side are evaluation and recruitment of potential Quantum Weavers, administration of limited martial training, and debriefing Sword Minds and their agents.

Merchant Masters and their Psionic Abilities

Continuing to build out my original Space Opera science fiction setting here are the specific class abilities for the 

Merchant Masters (any class); requires both an Empathy and Psionic score of 15 or greater.    

A Merchant Master is defined by their level of Psionic ability. The field of psionics practiced is Telekinesis and the Psycho-Kinetic Crystals are a physical object they all possess. The PK Crystal is what the Taakar have provided to make them what they are, possessors of advanced science which represents only a minuet fraction of the power coursing through the otherworld entity of the Taakar. Merchant Masters begin the game psionically awakened and have access to their full talents. 

The psionic talents level 6 and above are changed in the following ways: 

Morass/6; is now called Dissolution, and instead of making physical materials “soft” it destroys the material entirely. The percentages and volume figures should be interpreted as the amount of materials terminated as the atomic structure is unwound. 

Mind Touch/6, Life Sense/6, and Psychic Force/7 remain unchanged. 

Energize/7; is now the ability to bring any type of powered equipment to full charge/power. 

Magnetoscreen/8, Negafield/8 and Radshield/8 remain unchanged. 

Battlescreen/9; is now called Cosmicscreen, a protective shield which provides a complete life support system for the adept against electromagnetism, anti-matter, radiation, and the cold vacuum of space. 

Power/9; is now limited to increasing the power of a Crystal Ship. 

Maneuver Drive/9; is now the ability for a Merchant Master to set an interstellar course with 100% accuracy, subject to the standard modifiers. Since this is a level 9 talent there are only two standard modifiers, +100% for Maneuver Drive/9 and +200% for Maneuver Drive/10. Well, then how do they fail? As far as a Merchant Master is concerned, they do not. It will be up to the PCS and SM to create such situations. The actual translation into tachyon hyperspace is completed by Quantum Weavers. 

FTL Drive/10; is now the ability for a Merchant Master to transfer into the Taakar at the center of the Spica solar system and conduct audience. This is usually only every fifty years when they need to be infused with the drug of immortality, but they may have to make this translation at any time based on the will of the Taakar or a Merchant Master’s current needs. If transfer is attempted within the Spica system from a Crystal Ship success is automatic. If transfer is attempted withing the Spica system not on a Crystal Ship, there is a 3% chance of failure. Transfer attempts within the Sardis system while on a Crystal Ship has a 5% chance of failure. Without being on a Crystal Ship chance of failure is 11%. Chance of failure from Tharon are 9% and 18% respectively.