Dr. Who Silence in the Library/Forest of the Dead (2008)

I might be stretching the definition of "movie" here, but at just about 2 hours I challenge you to find something more frightening than the Vashta Nerada aka "The Shadows that Melt Flesh".

We have mysterious deaths, a monster that hides in the shadows that can strip your flesh bare in seconds AND then use your bones and space suit as a means to walk around.  This is the scariest monster in the Doctor Who universe.  Daleks, aim for the eyestalk. Sontaran, back of the neck.  Cybermen, gold in their chest plate.  Vashta Nerada, just run.

Doctor: "Almost every species in the universe has an irrational fear of the dark, but they’re wrong, because it’s not irrational. It’s Vashta Nerada."

All against the man that monsters have nightmares about;
The Doctor.  When they come after him this is the exchange.

Doctor: Don't play games with me! You just killed someone I like, that is not a safe place to stand! I'm the Doctor, and you're in the biggest library in the Universe. Look me up.
The monsters move  back.

This is a pitch perfect horror episode and no one comes out of it scarred.  I think this quote near the end sums it up.

Donna: How about you, are you alright?
The Doctor: Oh, I'm always all right.
Donna: Is "All right" special time-lord code for... not really all right at all?
The Doctor: Why?
Donna Noble: Because I'm alright too.

Plus not only did this give us one of the scariest monsters for a show known to send kids hiding behind the sofa. It also gave us River Song who might be one of the most interesting characters in the history of Doctor Who.

"When you run with the Doctor, it feels like it'll never end. But however hard you try you can't run forever. Everybody knows that everybody dies and nobody knows it like the Doctor. But I do think that all the skies of all the worlds might just turn dark if he ever for one moment, accepts it. Everybody knows that everybody dies. But not every day. Not today. Some days are special. Some days are so, so blessed. Some days, nobody dies at all. Now and then, every once in a very long while, every day in a million days, when the wind stands fair, and the Doctor comes to call everybody lives."
- River Song.

Puck the Wood Elf and Divine Magic in OpenQuest

Fitting out the triad of new characters for my traditional fantasy campaign using OpenQuest by Newt Newport is Puck the Wood Elf. As a warden of the Vlaymoor who worships the Lady of the Forest this gave me the chance to test the third school of magic found in OpenQuest; Divine Magic!

Unlike Jongo and Xvorgast, Puck is to be the "fighter" of the group. He will have good (53%) starting combat skills and better (49%) Natural Lore skill then the thieving gnome and magic using dwarf in the party.

But this does not mean we are going to neglect using the open nature of OpenQuest to craft the exact character we have in mind.


Some Battle Magic spells are too important to pass up for our deadly woodland guerrilla fighter. Enhanced Perception and Deception will be attributed to racial abilities while the Enhanced Close Combat, and Ranged Combat skills are part of the training each warden in the service of the Lady receives.

The true Divine magic spells, or "Gifts of the Lady", will be Call(animal) and Illusion. A warden is never considered more than an initiate until he is able to establish a relation with a "totem" animal. For most this is one of the great wolves which prowl the Vlaymoor. To be a wolf rider in the forest is to be a recognized as a fierce warrior and to be feared. The bond established between warden and totem animal is strong, and to willingly put such a gift from the Lady in careless jeopardy risks her wrath. The ability to call down the power of Illusion is directly tied into the wardens preference for surprise and subterfuge when confronting traditional enemies of the forest; goblins and men! Each one of these spells was taken at one point of magnitude so Puck has a total of six different magical abilities in which he needs some improvement at.

It also indicates in the rules, from one short example, that it is appropriate to give up to a +25 point bonus as it relates to the characters choice of deity. Perhaps to offset the implied restrictions which come from following ritualistic dogma over the free flowing manipulation found in straight Battle Magic and Sorcery? Therefore I bestow Puck with an additional 25 points to Natural Lore skill when withing the bounds of the Vlaymoor Forest. He may be young (225 years of age) for a warden, but it is his home!

Xvorgast the Mighty's Sorcery for OpenQuest

The second character I generated for my traditional fantasy campaign using OpenQuest is a dwarven sorcerer.

Like Jongo the Gnome, the choice of attribute scores, and skill package was fairly straight forward as pertains to creating a dwarf. After playing fantasy rpg's for many years I kind of know what to pack into a standard dwarf character.  Since I am creating a magic user I make sure Xvorgast has a decent Academic Lore skill. This should help lead him in the direction of obscure texts riddled with ancient spells of power!

This exercise in character creation is to test the "openness" of Newt Newport's OpenQuest system itself, and a typical fantasy trope as a magic wielding dwarf should be fairly easily created. And it was. With six points of spell magnitude to spend creating a starting magic user is incredibly easy with OpenQuest.

My character concept for Xvorgast the Mighty is a reclusive dwarf pouring over ancient tomes in attempt to tap into the old power of the dwarves long forbidden, neglected, and shunned. Xvorgast will have left the academic halls of established magic disgusted with the "theoretical" magical studies offered and return to the dark ruins of the Iron Flow Hills to brood upon the powers which once were...

So this means at least one point spent on the Battle Magic spell Read Language. This will be all the practical magic our dwarven wizard will have left the respected halls of learning with. Using this simple spell he has teased out the elemental lore hinted at in the standard texts. For after all, isn't the ancient power of the dwarves rooted in these primordial powers? Therefore I bestow on Xvorgast the Sorcery spell Wall of Fire at 2 points and Animate Substance(stone) the remaining 3.

This gives our young (113 years) dwarf magic user with three spells total. Xvorgast will have to get out and put that Read Language talent to the test if he wants to build on his elemental spell list!

OpenQuest Character Creation Point Total

I've spent some time creating characters with Newt Newton's great fantasy rpg rules OpenQuest, and I have to admit to the few house rules I've settled on.

If my addition is right, the overall points used in creating a character are 255. If you decide to have your character have the powers of Sorcery or Divine Magic they get +40 pts towards either their Sorcery or Divine Magic skill. There are some additional restrictions on how the points can be distributed amongst the characters abilities and skills, but it seems 295 is the uppermost point total for starting character creation.

As I've mentioned in other posts on my blog, I really dig the "Open" of OpenQuest. Therefore I've decided that players can spend the 295 points any way they want. The only restrictions I would be keen on enforcing is some max limits on attributes as they relate to the race so selected by the player, but that's about it!

There doesn't seem to be any reason to impose any more limits, unless the Game Master is not involving himself with the character creation process with his players.

But that, to me, is an rpg no no. I find GM involvement in new character creation important when beginning a new campaign.

I'm in on Dredd 3D

The future America is an irradiated waste land. On its East Coast, running from Boston to Washington DC, lies Mega City One- a vast, violent metropolis where criminals rule the chaotic streets. The only force of order lies with the urban cops called “Judges” who possess the combined powers of judge, jury and instant executioner. Known and feared throughout the city, Dredd (Karl Urban) is the ultimate Judge, challenged with ridding the city of its latest scourge – a dangerous drug epidemic that has users of “Slo-Mo” experiencing reality at a fraction of its normal speed.

During a routine day on the job, Dredd is assigned to train and evaluate Cassandra Anderson (Olivia Thirlby), a rookie with powerful psychic abilities thanks to a genetic mutation. A heinous crime calls them to a neighborhood where fellow Judges rarely dare to venture- a 200 story vertical slum controlled by prostitute turned drug lord Ma-Ma (Lena Headey) and her ruthless clan. When they capture one of the clan’s inner circle, Ma-Ma overtakes the compound’s control center and wages a dirty, vicious war against the Judges that proves she will stop at nothing to protect her empire. With the body count climbing and no way out, Dredd and Anderson must confront the odds and engage in the relentless battle for their survival

At last, an actual comic book adaptation. I had my reservations about Dredd – The trailer did little to inspire, which made me think this incarnation might actually be worse than Stallone’s horrible campy version.

 But I’m happy to report Dredd is very good. Not only did it put my fears to rest, but banished any memory I had of Danny Cannon’s Judge Dredd. Finally, the Judge Dredd I grew up reading in 2000 AD comics has been rightly portrayed. With so many great films yet to come, I may have to extend my yearly list because of films like Dredd.

 When I heard that Karl Urban was signed on to play Dredd, I knew it was a good move. Urban embodies Dredd, and has his characteristics down to tee. Even the famous Judge Dredd profile looks exactly how 2000 AD artist Carlos Ezquerra used to illustrate the character. Urban is brilliant in this, and I hope he signs on for the upcoming sequels. Oh wait! If they decide to make any sequels! 

Lena Headey (Game of Thrones) as Mama does a superb job – she’s just a nasty piece of work. Just as her Game of Thrones character but with a bit more bite. In a year where we’ve had loads male villains, Headey holds her own in Dredd, and puts in a memorable turn as the Mama. Olivia Thirlby offers good support as the daisy faced rookie and the reliable Wood Harris puts in a solid performance as the slimy henchman to Mama.

 The story in Dredd is very similar to that of The Raid: Redemption. The two judges have to battle their way to the top, to get to Mama. Although I saw The Raid earlier this year, Dredd holds its own when it comes to the set pieces, which are fast, furious and very violent – but almost comically violent?

Visual effects are stunning. The use of the 3D Phantom camera in the slow mo scenes looks extraordinary. One of the few films this year I would definitely say is worth seeing in 3D. Mega City One looks beautifully Utopian, which is how it should look. I really like the look of this version of Mega City One. Big, tall, monolithic buildings in a harsh, dystopian environment look visually stunning. Mega City One in the original Dredd film had a sort of Blade Runner look to it, which I didn’t appreciate as much. 
Gone and erased are memories of Stallone torturing Dredd’s infamous catchphrase ‘ I AM DA LAAAHH’! Dredd is an exciting, visceral thrill ride of a movie. Karl Urban puts in one of his best performances as Dredd.  The reviews for this have been extremely positive. And I hope the box office viewing public are just as generous. Dredd is faithful to comic book and to its main character.
 I’ve given it lots of praise, but Dredd isn’t perfect. It drags in several places to focus too much on character development. Plus the film is much longer than it needs to be. Other than that Dredd is awesome and will definitely deserve a second viewing.

Good performances, action packed and very violent. I recommend you see Dredd, but it may not be for the faint of heart.

I have hopes this R-rated version will deliver the dark world of Dredd which never appeared in the Stallone version!

Jongo the Thieving Gnome's Battle Magic

My OpenQuest Fantasy Adventure #1 is cast in a decidedly traditional fantasy setting where the main characters are creatures of fairy tales; elves, dwarfs, gnomes, pixies, centaurs, dragons, etc.

Here is the thoughts which went into the write up for Jongo's character as I followed the rules for character creation;

All abilities begin at 8, so I mold them into a picture of a typical gnome of the Vlaymoor Forest, the starting point of the campaign. Adjustments of note would be decreased SIZ and increased DEX, and POW.

Nothing fancy with the skill package. I do decide to forgo high combat skills. Jongo is a thief and prefers to go about his business unnoticed. I did sink many points into his Mechanism skill.

I divide his 6 magic points into inherent racial abilities and magical artifacts.

 For the gnomes racial abilities I choose Enhanced Deception (2), Enhanced Athletics (1), and Enhanced Influence (1). The last two points are spent on creating the two magical artifacts I want the character to posses. The first is called the Crystal Clock, a small time piece Jongo keeps on a chain in is pocket. It allows Jongo to Enhance Perception when searching for Faerie Folk, and other magical creatures friendly to the Fay. The other artifact is a willow wand embued with a spell known as Woodland Paths. Casting this spell from the wand allows Jongo to pass through dense thicket and other difficult terrain as if it were clear.

There you have it. Besides crunching the numbers to get your desired starting values this player character is ready to go.

The Hobbit Trailer

Exciting times to be able to see some of the source material for our greatest modern archetypes hit the big screen!